Baby Portrait Photography Tips

If you've never ever had children and wonder why your mom-friends hold showing images of their offspring to you every chance they get or why they are so obsessed with taking baby portrait photographs, the response is easy. Baby Portrait Photography is a very fascinating and delightful leisure! Mothers and fathers have taken the art…

If you've never ever had children and wonder why your mom-friends hold showing images of their offspring to you every chance they get or why they are so obsessed with taking baby portrait photographs, the response is easy. Baby Portrait Photography is a very fascinating and delightful leisure!

Mothers and fathers have taken the art of baby portrait taking photos into their own hands. In fact, if you're a new parent, I bet you have a camera tucked in your bag all the time. To arrest the seen unexpected 'firsts' or easily, capturing the right moment that candidly presents itself, are certain the supreme delights of a parent.

impersonates at Specific Ages

although, there is furthermore a dispute in taking baby photographs; and that is, offspring do not know how to pose. The subject is still too ignorant of its surroundings or at certain ages, unpredictably hardworking. So it would be helpful if we could be the smallest anticipating of their abilities to hit a pose. We know babies can barely hold up their heads or retain a specific place at 0-3 months that's why we would need to hold them to pose.

trial on how the baby could be held but make sure that the focus of the photo would be on the baby and not on any one else. You should find a way to arrest only the baby's profile while being held by another individual. There are still restricted positions you can capture when you are taking photographs of babies between the ages of 3-6 months. The good news is that offspring can now contain their heads up so it'll be much easier to get the face into profile. Costumes and props that are safe for these ages may furthermore be utilized to liven up the photographs.

offspring begin to sit around 6-9 months and this is when you can capture very strange impersonates from the offspring. Since the babies start to become very active, this is the time when you need to master the shutter speed characteristic of your camera. And from ages 10 months onward, some offspring may be able to recognize that their photographs are being taken and may even contain their poses a little longer. Candid photographs may do very well during these ages.

Ten Things to hold in mind about Baby Portrait taking photos

1. Make sure that your camera has film all the time and that your electric batteries are completely ascribed all the time.

2. If you are using a digital camera, it is best to have electric batteries prepared.

3. Familiarize yourself with the use of shutter races and camera blinks.

4. Do not be afraid to take ultra-close up photographs of your babies.

5. Try firing at distances and appreciating the drama of the scene.

6. If you are going to represent your offspring, contain them securely.

7. Your offspring need not be dressed in costumes all the time, just make sure they are clean unless you intend to take photographs of them swabbing sweets go on their faces which is very adorable too.

8. Try firing in gray-scale. Black & white photographs arrive out very very classy and dignified, so if you propose to frame the photos, you will not ever proceed incorrect with it.

9. recall that offspring can effortlessly get diverted, if you caught your baby doing certain thing very nice, be fast in banging the camera or you might overlook the instant.

10. Get other ones involved. Have your relatives of family constituents make coo-coo noise to make the baby grin or simply converse to the baby to get eye communicate.

There is nothing like appreciating the essence of a progeny in a photograph. They augment up so very quick so you want to really get every precious instants on film. You will learn easier baby portrait taking photos techniques as you go along, and you'll be pleased each time you get a cute little grin noted for eternity.

A Photographer’s View

Composition is one of the most important aspects of good photography, it can not be set automatically by the camera. This is done purely by the photographer. I believe that it is essential to learn the basic rules of composition, before you can begin to break the rules of composition. Yes I know what you…

Composition is one of the most important aspects of good photography, it can not be set automatically by the camera. This is done purely by the photographer. I believe that it is essential to learn the basic rules of composition, before you can begin to break the rules of composition. Yes I know what you are thinking that is a contradiction, well yes it is, but you will begin to understand why it is important to master the rules first before we can bend them, distort them and even break them.

Simple things can make a big difference to the composition of your photographs. You do not need to get too technical, something as simple as changing the angle of your view by kneeling instead of standing upright or just by taking a step to one side you will be amazed at the difference it makes to the image. Just try it take a shot of an image and then change your position by sitting kneeling or standing on something, anything you can think of, just remember to stay safe and not to take any risks.

Rule Of Thirds

The Rule of Thirds is one of the oldest and one of the most taught rules of composition. Put simply it you divide your image into a grid of 9 equal sections by using 2 lines running vertically and 2 line running horizontally.

The idea is quite simple you place your point of interest where the lines intersect rather than directly in the center of your photograph. This gives your image a more balanced appearance, when we look at any photograph we tend to look at these points rather than the middle of the image.

All DSLR's and many compact cameras these days come with a feature that allows you to place a grid over your view finder, this makes the process so much easier. As time goes on and you become more attuned to doing this you will find that you do not even need the grid it will become second nature.

When photography landscapes divide your image into three sky, horizon and foreground, then place your point of interest on one of the intersecting line this will give your image a much more powerful and dramatic effect. It does not need to be exactly remember this is a guide so do not become too bogged down with getting it perfect. Practice taking lots of different shots and see which looks the best, you will be amazed at how much your photographs improve and how your confidence grows each time.

Horizontal or Vertical

One of the simplest things you can do to change the composition of your photographs is to turn your camera on its side and photograph an image vertically, it's amazing how many of us never do this, It can change a photograph completely. Even landscape photography which is traditionally taken in a horizontal format can be improved so much by simply using your camera in a vertical format. For instance if you have a scene with a path leading up to tour point of interest or a long meandering stream, both of these can be much more effective if shot vertically rather than horizontally.

Framing

Framing your image is also an option, I do not mean framing your image with a wooden frame after you have taken the shot. These can be natural frames such as a doorway, an archway or tree's anything can be used. Have fun with this and see what is around you when composing your image, you will be amazed at the many different natural frames available to you and the difference that they make to your photographs.

Background

The background is something many new photographers tend to pay little or no attention, this can make or break a photograph. A busy or distracting background will detract from the main point of interest in your image and inevitably ruin your intended effect. Quite simply pay attention to what is around you, will the background complement your photograph or will it be too distracting, can you change your position and improve the background. Maybe you have no option and have to put up with the background you have, well there is still something you can do. If you have no option but to use the back ground you have, then one option is to make your main point of interest sharp and blur the background, this is achieved by using a wide aperture this means reducing the F number on your lens to the lowest possible F number F3.5 or F2.8. The lower the F number the more the background will blur so experiment and see how much you want the background to blur.

These are just a few ways in which you can improve your photographs using composition, the best way you can master these techniques is by practice so just get out there and have a go. Do not be afraid to experiment and try different things, remember these are guide lines you do not have to stick to them religiously. Once again the most important thing is for you to enjoy yourself and have fun.

The Best Gift You Can Give Someone Is a Movie About Their Life – Here’s How to Make One

One of the greatest gifts you can give for someone's birthday, retirement, honorarium, wedding, anniversary, mitzvah, or any other special occasion, is to create a video that tells their life story, that gets played at their event or party. This is something I do professionally and I've developed some tips to help guide you to…

One of the greatest gifts you can give for someone's birthday, retirement, honorarium, wedding, anniversary, mitzvah, or any other special occasion, is to create a video that tells their life story, that gets played at their event or party.

This is something I do professionally and I've developed some tips to help guide you to create an actual short documentary style movie that captures an individual's essence and personality, in a way that's highly entertaining.

In my opinion, it's basically the most personal thing you can do to show someone how much you care. And if you do it right, it'll be so warm, touching, and funny, it'll blow everyone away.

So if you're with me so far and ready to try something great, here goes.

GET THE PHOTOS AND STORIES

First, ask the individual's friends and family for photos. If they're digitized, that's easier, but since many people still have old photo albums, put the best photos under a good light, and digitize them with your own camera.

Next, ask for anecdotes and get the individual's life story. Where were they born? Where did they grow up? What were they like as a kid? What were their interests? Who were their friends? I try to get everything about their lives as if I'm doing a research paper.

If the video is going to be a surprise, make sure to do this in secret. If the individual is in on it ahead of time, then use them as a primary resource without hesitation.

After the initial interviews, go home and input the photos into your computer. Make sure you have backups of both your photos and video footage on a separate hard drive as you put together your project.

SCRIPT THEIR LIFESTORY AND WRITE NARRATION.

Write a narrative script about the individual's life in chronogical order and record your voice-overs. It could start with something like, “He was born in Brooklyn and grew up in a rough neighborhood, so he had to be tough to survive.” Then describe how his upbringing affected his personality.

After you put in the narration, mix, match, and shorten the appropriate photos for each narrative to help tell the story. Sometimes I also add photos from the web, such as a map of their hometown to bring in an extra element.

WRITE QUESTIONS FOR THE VIDEO INTERVIEWS

Once you've scripted their life, and have a rough draft, prepare for the live interviews with their friends and family. It's best to try to gather everyone at the same place and schedule them every 20 or 30 minutes, individually or in small groups.

ADD HUMOR

Think of questions before-hand that will elicit interesting anecdotes as well as possible humor. I usually go in with about a page or two of notes based on their previous information, to get the highlights of the honoree's life. I also coach my interviewees to bring out some humor.

When I interviewed the workers of one honoree who owned a window washing business for example, I had them describe how their boss, “would not do second floor windows because he was afraid of heights.” This was so obviously untrue, that it bought down the house with laughter.

DO THE BEST YOU CAN WITH VIDEO AND SOUND QUALITY

There are whole books devoted to video, sound, and lights, so I will not get into too much detail, but the better you're able to frame your shots, control the audio, and have adequate lighting, the better the finished product will look and sound. I personally use a 3 chip high def camera, professional lighting and a shotgun microphone. There are people far more expert about this subject then myself, but since this video will not only be for the party, but also for posterity, try to do the best you can.

DURING THE INTERVIEWS – GO WITH THE FLOW

Use the questions as a guide, but if someone goes off into an unexpected direction, be prepared to ask follow ups. You never know what people are going to bring up, but the more you get on film, the more you have to work with when you're editing. On the other hand, if someone goes off on a tangent that seems less promising, try to swing back to your other questions.

VIDEO EDITING

Once you've got your footage, input everything into your computer and start editing. Again, make sure you have backups on a separate hard drive. Begin by separating the material that has a chance of being used from the stuff that's not as interesting. This is probably the most tedious part of the whole job, but when you're done, you should have the best footage ready to play with.

Next, go back to your script and add your voice over narration to the photos. Figure out what should go where based on the chronological timeline and match them up to accentuate the story.

ADD TITLES FOR YOUR CATEGORIES

I usually use categories like Early Childhood, Family Life, Career, Hobbies, Eccentricities, and Prepare Your Hanks for starters. Add as many or as few as you want depending on your subject's life and interests.

ADD HUMOR

This is also a good place to add a little humor. For example, I'll show a series of actual photos of the individual and their friends and family, and then mix in a picture of Brad Pitt or even a Kardashian. The juxtaposition of these completely unrelated and unexpected celebrity shots usually get a good laugh.

I also added a joke for one family that lived on an estate when their daughters were young, by showing a picture of the estate, and stating, “So Erin and Lauren grew up thinking they were rich.”

As you're editing, feel free to experiment by creating extra files so you're previous version is always safe. This way, you can always go back if you do not like your newest changes.

ALTERNATE THE NARRATION PHOTO FOOTAGE WITH THE INTERVIEWS

Once you've got several blocks of narration with the appropriate photos, it's time to add the interviews into their logical categories to create a blend.

TITLES, MUSIC AND SPECIAL EFFECTS

When I'm done putting together the whole thing, I go back and add titles and music. You definitely want opening and closing titles, but I find titles are also a great way to add information throughout the video, as well as an easy way to score some more jokes. I also use Garage-band to add music underneath the opening and closing titles, as well as anywhere else that I think it might be of help.

If you have extra time and want to add some more pizzaz, play around with special effects. Often when someone talks for a long time, I'll fast forward their speech to show how long they were talking and then slow it down again for added humor. Of course, I always make sure that that person can take a joke.

Another time, I shot video for a bat mitzvah girl who was a karate expert and used special effects showing her breaking boards and chopping watermelons to make a humorous infomercial which I called, “The Julia Chopper.”

CUT THE FAT

After it's all done, I go back and cut out the fat. I show it to my wife and some friends and usually edit it down to 10-15 minutes. There's no rule that says it has to be that length, but unless you're a master, you're more likely to leave in stuff that is not needed and slow things down. Keep the best.

KEEP EVERYTHING TASTEFUL

Remember, these events are usually for business or family functions, so unless you're making a video for a bachelor party, try to keep everything in PG.

PLAYING THE VIDEO AT THE EVENT

I'm going to assume that either you or someone else will be able to secure a movie screen, sound equipment, and video projector. Hopefully, this is all done professionally and all you have to do is bringing a dvd (plus backups), laptop, or Ipad, and you do not have to worry. Either way, talk to whoever is in charge ahead of time and get there early enough to make sure everything works. Technical difficulties with video happen frequently, so be prepared to take a few minutes extra to figure it all out.

BEST TIME FOR THE VIDEO TO BE PLAYED

The best time to play your tribute video is right after the toasts, because everyone is usually focused and attentive and your movie becomes the icing on the cake.

I personally like to introduce the video's I've made, to set it up so that everyone knows it's going to be a little different and to ensure it has their full attention.

With that in mind, I also ask everyone to turn off their cellphones and make sure the waitstaff holds off on serving food or collecting dishes. I can tell you from personal experience that there is nothing worse then watching your audience get distracted by clanking glasses and crashing dishes, so talk to the party planner or matre'di to make sure they're all on the same page.

If all goes well, you can create a video that's not only charming but even electric. If you get the right balance of warmth, humor, and detail, it can be an homage to the guest of honor that will not only be loved when it's played at the party, but will be an amazing keepsake for them and their family for the rest of their lives.

Yes, it takes a lot of work and care. But when you see the reactions on everyone's faces, you'll know it was well worth the time.

And that's a gift worth giving.

Why You Should Be Photographing With Film in 2013

The old digital versus film debate is dead. Or, at least it should be. Digital has won. There is no doubt that as we move forward digital photography will be the dominant game in town. However, this does not mean that film is dead. Just because we've acquiesced to the dominance of digital photography does…

The old digital versus film debate is dead. Or, at least it should be. Digital has won. There is no doubt that as we move forward digital photography will be the dominant game in town. However, this does not mean that film is dead. Just because we've acquiesced to the dominance of digital photography does not automatically mean that there is no place for film. There is, very much so. Here are just a couple of reasons why you should go out and buy a roll of 35mm Tri-X today, right now!

You should shoot film because you can. This will not always be the case. Although I believe film stock will be widely available for many years yet, it is increasingly becoming more and more difficult to find a lab. Photo labs are evaporating before our very eyes. In Montreal, Canada, the “New York” of the north, there is but one actual commercial lab still processing true black and white film. That's worrisome. So, shoot it while you can. Get that “analogue” experience so that you can reminisce to your grandchildren about film photography.

The next reason is analogue camera prices. There has never been a better time to buy a film camera. The market is flooded with them, as people are running to digital, and this is driving prices down – way down. Mint Hasselblad 500C's have recently been seen for well below a thousand dollars. Imagine, one of the best cameras ever made for that price. The same thing can be said for Leica and their M series cameras. The M6 ​​was once upon a time only for the most elite photographers – today pretty much anyone can get their hands on one. So do it.

The third reason to shoot film may be the most important one. Shooting film slows you down and forces you to think before you fire the shutter. When you pay, literally, for every shot you take you will quickly learn to work more carefully. This is a cruel skill to develop in this all-things-digital age. So many of the photographs out there today today lack a certain degree of quality and much of this can be traced back to the lack of thought process behind its composition and subject matter. If you can learn to shoot well on film you will be a much better photographer when you move to digital. Is this the only way to learn the skills associated with great photography. No, absolutely not, of course. But, shooting film does work, so why not?

Do not get trapped in the film versus digital debate. Do not feel as though you have to chose a side, you do not. Shoot both and enjoy the benefits that each has to offer. There has never been a better time to have a film camera in one hand and a digital one in the other. And, it will not last forever. So go out now and make some negatives – believe me, it will be nothing but positive.

How to Choose a Portrait Photographer

Hiring a professional portrait photographer can be quite a cost investment. That's why you'll want to make sure that you're getting the best service for your money. That and the fact you'll want your photos to turn out fabulous. Whether you're looking for a photographer to take pictures of just you, you and your friends…

Hiring a professional portrait photographer can be quite a cost investment. That's why you'll want to make sure that you're getting the best service for your money. That and the fact you'll want your photos to turn out fabulous. Whether you're looking for a photographer to take pictures of just you, you and your friends or you and your family, here are some helpful steps to help you choose the right person.

1. Choosing a location

You may never have given a thought to deciding on a location to have your photos taken. Like many, you may have just assumed they would be taken in a studio. Do not limit yourself to this option. Choose a photographer that is happy to take photos in a studio, in your home or wherever else you wish. The more flexible and willing the photographer, the more passionate they'll be about producing the best results for you.

2. Re-touching

Do you want your photos re-touched on Photoshop or would you like them completely natural? Whichever your choice, make sure you choose a photographer that is willing to work to it. You may want your photos re-touched just slightly or have other specific editing preferences. Again, make sure your photographer is happy to talk these things through with you and bend to your decisions.

3. Time-limit

Find out if your photographer has a strict time limit in place for your photography session. The best photographers do not pose time-limits. Instead, they work until the best results are achieved. Without a time-limit, you will not be under pressure to get things right quickly and both parties can feel satisfied that the best efforts were made.

4. Meet the photographer first

Portrait photography can be quite an intimate business. You'll want to trust the photographer so you will be happy, relaxed and open with your emotions so your input will produce photographs that are the best reflection of you. Here, it's a good idea to meet the photographer beforehand. This way you can find out if you like them, check out their equipment and view some of their work. Plus, the meeting gives the photographer a chance to get to know you. He / she can then be prepared for your session with an understanding of just how you'd like things.

5. Guarantee?

If a photographer does not offer a money-back guarantee upfront then it is likely that they are not confident in their ability. You'll want to know that you're paying for guaranteed results so check this out beforehand.

If you take all of these steps into consideration, you're sure to make a successful choice. Remember, if the photographer is willing to go the extra mile for you, your portrait photos will follow in fashion.

Making Memories That Will Last The Ages

A wedding is the grandest event in someone's lifetime. You can not compare it to the annual birthdays celebrated, even if you add them all up. You can not equate the joy that comes with it to that of the graduation party from high school or college. This is the largest fete of someone's life.…

A wedding is the grandest event in someone's lifetime. You can not compare it to the annual birthdays celebrated, even if you add them all up. You can not equate the joy that comes with it to that of the graduation party from high school or college. This is the largest fete of someone's life. It is no doubt that it is a bigger deal to women than to men. Girls visualize their weddings from at least the age of six; making plans, drawing wedding dresses and picturing “the one”. No day is bigger than the wedding day. How then can you capture these memories and move with them as the years go by? You need to get a wedding photographer, and a good one for that matter. Here are a few reasons why you need a professional doing the shots at our wedding:

· Once in a lifetime

It happens just once. There are no rehearsals and there are definitely no repeatats. You would not want to mess up on any detail on your wedding – whether it is your dress or your cake. In addition, you definitely do not want to compromise on the photos of the day. You will live with these photos for the rest of your lives, and even relatives and friends will want to see them. Your lives may be evidence to your beautiful marriage but the photos are the only evidence of how brilliant your wedding was.

· State of the art

Getting a professional photographer ensures that you have the best person for the job. He or she has done this for quite a while and so he or she has the experience. He has the best photography equipment. Yes, not your uncle's digital camera, this one is so much more. He has done research and undergone training to make the professional he or she is today. You could even check out his or her portfolio to see the outcome of other weddings he or she has done.

· Quality in reality

Photoshop is for models only. You, on the other hand, need the real deal. This is the day that you are most beautiful, all eyes on you. Do not ruin that with mediocre pictures that do not reflect the real scenario of the day. Get the work of the professional who will bring out the real picture as it was or will be on that day. Mediocre pictures can make the grandest of events look shabby while quality pictures make even the most ordinary of wedding one to admire.

The Most Inspiring Models Over 25

Many people believe that if you are over a certain age then it is harder to have a successful career in modeling. this is not true! Because there are so many different types and every company is searching for a different 'look' it is possible to become a model later on in life! Check out…

Many people believe that if you are over a certain age then it is harder to have a successful career in modeling. this is not true! Because there are so many different types and every company is searching for a different 'look' it is possible to become a model later on in life! Check out just a few of our examples of models over the age of 25, many of what have enjoyed highly lucrative and varied carers.

1. Kate Moss aged 39.

Kate Moss was discovered at JKF airport at the age of 14 by Storm founder Sarah Doukas. Since her career began, she has done her thing for countless brands such as Dolce and Gabbanna and Channel.

2. Tyra Banks aged 39.

She first appeared on the cover of Sports Illustrated but Tyra Banks has since worked for many different brands and was a very popular Victoria's Secret model! It was not all easy for Tyra Banks as she was rejected by six agencies before being signed by LA models. Once she became part of an agency, she postponed going to college to move to Milan. She is now famous worldwide for her chat show and TV hit America's Next Top Model.

3. Miranda Kerr aged 30.

Miranda Kerr has been working since the tender age of 13 however she actually became aware in 2007 while working as a Victoria's Secret model. She has also featured in campaigns for top designers such as Cavalli.

4. Naomi Campbell served 43.

At the age of 7, a young Naomi Campbell began her career and it has not stopped since! Just before her 16th birthday she landed her first big job in British Elle. More recently she participated in the 'evolution of fashion' in the closing ceremony of the 2012 London Olympics.

5. Bar Rafaeli aged 28.

Bar Rafaeli is most recognized for being the face of Garnier hair products. In 2009 she received a World Style Award and in 2012 was voted # 1 on the Maxim Hot 100 list.

6. Alessandra Ambrosio aged 32.

One of the most recognizable women in the world, Alessandra Ambrosio has modeled for multiple luxury brands including Christian and Ralph. She is also very well known for being the spokesmodel for the Victoria Secret line 'PiNK'.

7. Jessica White aged 29.

After being scouted in her hometown of Buffalo in New York, the first big contract Jessica White landed was with none other than American Vogue. She has modeled products both in publications and on the catwalk for the likes of Ralph, GAP and Jacobs.

8. Hoyt Richards aged 52.

Dubbed one of Vogues best male models, Hoyt Richards has modeled products such as suits and watches and has worked with many top designer brands including Versce, Carter, Valentin, Ralph and Bubberry … Just to name a few!

9. Tyson Beckford aged 42.

Tyson Beckford is widely recognizable as the face of the Ralph 'Polo' Range and since his career began he has been named as one of the '50 most beautiful people in the World! '.

10. Lars Burmeister aged 32.

He became known as 'the Hugo model' after featuring in the 2005 ad campaign. Lars Burmeister's sister sent in images of him to an agency and, thanks to her, he has modeled for Giorgio as well as appearing in Vogue.

Education and the Modern Photographer

People say I'm lucky – and yes I do agree. I get to travel world, work with a wonderful team and make my living from my passion. But when it comes down to the quality of the images I produce, that has nothing to do with luck. Over the years I have noticed a correlation…

People say I'm lucky – and yes I do agree. I get to travel world, work with a wonderful team and make my living from my passion. But when it comes down to the quality of the images I produce, that has nothing to do with luck. Over the years I have noticed a correlation between knowledge and image quality. The more I have educated myself, the 'luckier' I've become.

As I am not just the 'biggest', but also one of the 'oldest' dogs in the yard I have seen the equipment that is available to us as photographers change dramatically over the years. Film has made way for digital, and mega-pixels are no longer limited to single figures. All of the developments that have been made have no doubt made our jobs easier – particularly when it comes to transportation kit for jobs on location. Just recently I was sat in the departure lounge at Bergen airport (for those of you that have not been let me tell you it is without doubt the smallest international departure lounge I have ever sat in) thinking to myself that if it wasnt for micro 4/3 technology, I would be a very unpopular man indeed as the people that I was sharing the space with would have stood outside in the cold due to the fact that my old full frame kit would have filled most of the room. The advances in photographic technology that have allowed for smaller, lighter kit that gives immediate feedback are – let's face it – a god send, and will no doubt allow me to keep doing what I love for a few more years. The kit that is available today really is fantastic. It works well, and produces image files of a quality that was unimaginable even five years ago. But as good as all of this new equipment is, it could not create anything if it was not for me – or indeed indeed one of you – controlling it. Yes, technology does have its advantages, but for a real grandmaster, technology is only there to augment, facilitate and ease the photographic process. Technology will never render photographers obsolete, it will never replace education and the application of knowledge when it comes to creating 'grade A' images.

As an old school traditionalist I am a firm believer in knowledge – not kit – being the secret to good photography. A stunning image is not just created by pressing click on a camera. To cross that fine line that separates good and brilliant, a photographer has to take several things in to consideration. Lighting, posing and composition. What story do you want an image to tell? How do you want the image to look? How do you want the image to feel?

Lighting an image in the correct way is key. Without the placement of hi-light and shadow in the correct places, a three dimensional story can not be told through a two dimensional medium. It is highlight and shadow that gives an image depth and makes the subject feel real. Light is definitely the most important aspect of photography. It is no secret that ever since using the Olympus EM5 OM-D and adopting a micro 4/3 system I am on a mission to reduce the size of all the kit I use, but I can guarantee you that this reduction in size will not come at the cost of sacrificing quality – especially not when it comes to lighting equipment. As much as I love and am amazed by the abilities of my OM-D it is not the most important bit of kit in my bag, my lights and their modifiers however most definitely are. Whether they are speed lights or a full studio lighting kit, they are massively important. Without them I could not use the secret weapon that is fully responsible for the quality and consistency of my images. What is this secret weapon? Well I will tell you … It is the knowledge of how to control and manipulate light. How can you get this secret weapon for yourself? In the same way that I did, through education and years of practice. Practice makes perfect, it really is that simple.

The point I am trying to make, is that it is most definitely not about the kit. Having the gear does not mean you automatically have all of the idea. Knowledge is the secret to being the best photographer that you can be. The camera may take the image, but it is the photographer that creates it. Owning a camera does not make you a photographer, it simply makes you a camera owner.

A photographer is born through years of continuous training to obtain the technical knowledge needed to create a top quality image and countless hours of practice to fine tune their creative abilities. If I was to give you one 'top tip' it would be to take your time. Learn as much as you can and practice what you have learnt at every opportunity. Take your time while shooting an image and pay close attention to the fine details. Only press the shutter button when you have created the image you want to capture. Do not rely on Photoshop to rescue an image, it is a tool to be used for enhancement.

Now, it's all very well and good me telling you that the secret to photographic success is knowledge, and that it takes several years of hard work to obtain the knowledge that you will need, but the world is a very real place indeed and sometimes a 'quick fix' is needed. Now unfortunately a quick fix is ​​not such a quick fix when it comes to photography. There are however 'fast lanes' that can help you to develop your level of understanding at a faster rate. If I had to start from the beginning I would most certainly be factoring in education costs in to my plans. Now is a brilliant time to start making a successful career in the profession, partly due to the number of training opportunities available to new photographers. My hat goes off to the SWPP for the work that they put in to organizing seminars and training days to help photographers develop. I would strongly encourage those who are new to the profession to listen to the knowledge that the old guard are sharing; after all, we've been there, done the job and bought the T-shirt. Learn as much as you can from the best that you can, as my grandma would say, you're only ever as good as your teacher, so choose wisely and listen carefully.

ttfn

McGillicuddy

Which Photo Style Is Best For Your Wedding?

Photography is currently a big business with regard to weddings. Many brides and grooms are even choosing to look for professional photographers and studios to work on their weddings. Gone are the days when you have your uncle or big brother take the shots with his camera. Wedding photographers have found a way of chipping…

Photography is currently a big business with regard to weddings. Many brides and grooms are even choosing to look for professional photographers and studios to work on their weddings. Gone are the days when you have your uncle or big brother take the shots with his camera. Wedding photographers have found a way of chipping them into every wedding budget. They may ask for a lot but for sure, they are worth it, if you want quality photos of the grandest day in your life. However, you need to make sure that you get someone who knows what he is doing. The best photographer is one who is able to fuse his skill with your demands. You may be wondering what type of photography you may want for your wedding. Here are a few great ideas:

1. Traditional wedding – Long ago, few couples opted to take photos. If photos were taken, posing was necessary and would mostly be done after the ceremony. This might be what you need. A photo session highly posed taken after the wedding, possibly in a studio or an outdoor venue, as the married couple. However, make sure that you know how to pose well and differently to avoid evidence of monotony in the photos produced. The photographer however should be able to help you with this.

2. Contemporary wedding – This is most common among wedding. It is less formal and more spontaneous than the former. It aims at bringing out a relaxed feel of the wedding, depicting fun and happiness. The photographer does all the work while you concentrate on your wedding.

3. Reportage or Documentary style – This is done with skill to create a story line for the event. The photos should be able to tell the whole story of the wedding story on that day. Once again, all the work is for the photographer as he or she works to get all the memorable highlights as well as the significant junctures of the day.

4. Artistic wedding – This focuses less on the events of the day and more on the art of the day. Great focus will be on beauty, dresses worn by the brides made, the color themes, the cake etc. This is very dependent on the artistic value and creativity of the photographer. With this, you are sure to get stunning photos. However, the photographer may need a posting when wanting to get certain angles and arrangements.

Photography Dynamics In A Wedding Event

Wedding photography is an important aspect to any wedding. It involves the taking of pictures before the wedding day eg for invitation cards and other displays as well as during the wedding event. It has come a long way, having evolved over the years. These days, wedding photos are a big deal, and are taken…

Wedding photography is an important aspect to any wedding. It involves the taking of pictures before the wedding day eg for invitation cards and other displays as well as during the wedding event. It has come a long way, having evolved over the years. These days, wedding photos are a big deal, and are taken with utmost precision, hiring the best of the best to do it. In some events, they even have a whole segment in the wedding program for photo shooting.

Long ago, photo shooting was not that common. The couple would not have their photos taken in the wedding attire or on their wedding day. Only a few shots would be taken, days after the ceremony, in ordinary wear, usually after the honeymoon. There are four major types of photography in wedding. A modern wedding usually has some of all the categories stated below:

1. Indoor photography – This happens inside the church (or other religious building) or in certain indoor venue. The wedding ceremony and even reception may happen indoors and photos be taken as the ceremony goes on.

2. Outdoor photography – This is most common and happens in an outdoor location. It wishes to take advantage of the beauty of nature and blend it with the beauty of the married couple and the bridal party. Locations commonly used are a park or the beach. A photo shoot in the wedding program mostly dictates a photo Shoot of the bridal party in a predetermined outdoor venue away from the guests.

3. Posed shots – These are photos taken from the married couple as the ceremony goes on. They are required to pose at certain junctures and photos are taken. A good example is like when they are giving each other a bite of the wedding cake.

4. Candid shots – Also known as photojournalistic photos, they aim at bringing out the real feel of the day. There is no prompting to smile or sit back. Photos captured include the couple's, the bridal party's, and even the guest's, to show the emotions throughout the wedding. They are taken when one is off guard and unaware. A perfect example is during wedding dances.

5. Studio shots – Most of the times, this requires the couple only to go take photos in a photographic studio. It may take place before or after the wedding ceremony. It is also a common option in engagement celebrations.

How To Improve The Quality Of Your Digital Photos

Camera Equipment can be pricey, especially if you are starting off in the photography business and trying to seriously get on your feet as a career. It's important to make sure you buy the right equipment. Be careful though, you can end up spending too much money on equipment that is no good for you…

Camera Equipment can be pricey, especially if you are starting off in the photography business and trying to seriously get on your feet as a career. It's important to make sure you buy the right equipment. Be careful though, you can end up spending too much money on equipment that is no good for you and waste hundreds or thousands of dollars for no big difference in quality.

There is such a thing as being between good and bad. The important thing to remember is that blaming the equipment for bad photography can sometimes hold you back from advocating for a long time. There could be a countless amount of reasons why a shot turned out bad. It could be lighting, positioning of the camera or a setting on the equipment was off. A number of reasons why it could go wrong. It could have the equipment and if so hold off on buying new equipment until you figure out the reason why your camera is wrong for you. You must learn the difference between bad equipment and a bad photograph.

The best thing to do starting off in the industry is to make the best of what you have. Having a bad camera and learning to adapt to it and become the best you can be with it will really push your advances in the future when you finally upgrade to new hardware. Be the best you can be.

Here are some tips on how to make the best quality photo with a good or bad camera.

You can get a better picture by getting close to your subject. Getting close close gives you a better focus, and blocks out background distractions. Small details such as the unique colors in your subject's eyes, or a cute dimple are lost when you are too far away from the person.

Be careful when packing cameras. The correct way to pack is to make sure to bring along enough lenses, spare batteries, and accessories you need to clean your camera. You should only take what you will use.

Move around your subject from different angles finding different positions. Take the picture of the object from above, below or in a weird angle. Right before you take the shot do not move and hold your breath. By doing so you're decreasing the chance of a blur and ruining the shot. When you are taking a picture try to be creative by putting an object near something it usually would never be around, giving the object a different size and background will make it unique and stand out.

Above all, photography is an art meant to be enjoyed. Taking photographs should allow you to capture the memory event in your life. If you are enjoying this world, it is much more likely that you will love it and master the skills and become a master in photography.

What Is A Photo Composite?

What is a photo composite? The dictionary definition of a composite is “com • pos • ite [kuhm-poz-it] Show IPA adjective, noun, verb, com • pos • it • ed, com • pos • it • ing. adjective 1. made up of disparate or separate parts or elements; compound: a composite drawing; a composite philosophy.…

What is a photo composite? The dictionary definition of a composite is

“com • pos • ite
[kuhm-poz-it] Show IPA adjective, noun, verb, com • pos • it • ed, com • pos • it • ing.
adjective

1.
made up of disparate or separate parts or elements; compound: a composite drawing; a composite philosophy. ”

In plain terms a photo composite is an image made up of more than one photo, the idea however is to make it look like it is one single photo and not a collection of images put together.

So why not just take a single photo then?

The reason for photographers creating photo composites is because it gives them such a broader range to work with. For instance a photographer could take a photograph of a model in a studio and then put her / him in any location in the world. Something which may not be possible if the photographer did not have the budget to fly a whole creative team to another country. Another benefit of photographing a model separately to a location is, when photographing out on location it's impossible to get a broad range of tonality from detail in shadows and detail in highlights without taking multiple exposures. If you just took a single shot then something would have to be sacrificed, either your highlights would get blown out (no detail, just pure white), your shadows would be too dark almost black or you would have some details in both the shadow and highlights but it would look pretty flat overall.

So as I just mentioned you would have to take multiple exposures, now if you try to take a photograph 3 or more times with a model standing there, I guarantee that your model would have moved in each shot even if it's just millimeters. Therefore if you take your location shots first and then take photographs of your model you can composite them together later on during editing and have an image with an amazing range of tonality through. Just look at images by photographers such as Erik Almas, Joel Grimes or David Hill, all great photographers who create incredible photo composites. You may have seen their work before and just not realized their images were made up of composites. Creating photo composites can allow photographers to achieve results in their final image that may not otherwise be possible from just a single photo.

How would you create a composite?

Creating a photo composite is not an easy thing to do, there's so many different ways and techniques from simply putting a model into a location, to making something float or more intricately stitching together multiple photos with varying exposures to create mind-blowing High Dynamic Range images. In short because to create a basic photo of say a model with a location background that contained also contained a large tonal range, firstly you would have to take 3 or more photos of just the background. One photo would contain the detail in the shadows, another containing detail in the highlights and a 3rd image with a correct exposure. (This can be achieved through bracketing). You would then merge the 3 images together when editing later on.

The photo of the model could then be taken either in a studio or at the same location as your background image (which would enable you to match the colors and tonality as closely as possible naturally). Once you had created your background image you would then put your model into that image by using something like the mask tool. After you've com-posed your photos together you then need to alter things like the hue / saturation and color levels to ensure the color range of your model matched that of your background. For example if your background had a cold cast to it but your model had a warm cast, then your viewers would know straight away that something about the photo was not right even if they did not know exactly what it was.

One of the great things about photo composites is that you can take your background images anytime, anywhere and then put your model in afterwards. This means you can build up a collection of background images to use when needed, without going out and searching for a location.

Choosing the Perfect Wedding Photographer for Your Big Day

Congratulations on your recent engagement! Before you're able to fully process the beautiful ring on your finger, everyone is going to be asking, “So when's the big day?” Once you choose a date and location, the next big thing to tackle is finding the perfect wedding photographer to capture your big day. When it comes…

Congratulations on your recent engagement! Before you're able to fully process the beautiful ring on your finger, everyone is going to be asking, “So when's the big day?” Once you choose a date and location, the next big thing to tackle is finding the perfect wedding photographer to capture your big day.

When it comes down to it, remember that wedding photographers come in all shapes and sizes. No two are the same. Your best friend may have had a “veteran” who just got to get that perfect pose for every picture. That does not mean you have to have the same! You're going to get a lot of opinions and unsolicited suggestions from family and friends, but first and foremost you need to remember that this is your big day. No one else's.

If you're a youngger bride, you may find yourself frustrated that your mom has a strong preference for traditional photographers, rather than the hip, unconventional and modern trends that seem to be prevalent right now. Now, there's nothing wrong at all with a traditional approach, but thanks to this new age of digital photography, and resources like Pinterest, your options really are limitless. Let your mother know that just because you may have modern, or “unconventional” tastes, does not mean you're going to skip out on the traditional family shots and whatnot. Every good photographer is going to make sure you get these.

Choosing Your Photographer

So then, how do you go about finding the right photographer for your special day? What questions do you ask? Again, breathe and remember that this is your day, and your photographer is honored to play such an important role in it. Your photographer is there to cater to your needs. Consider the following four questions to help you figure out who will absolutely be capturing the magic of the day.

1. What's Your Style?

Traditionally, formal photographs were the go-to style. Nowadays, there is a strong preference for photojournalistic (or candid) photography. Do you lean more towards the romantic, posed shots popular on Pinterest? Or do you prefer something more candid, like your dad holding back his tears, your mom laughing with the wedding party, or the guests cutting a rug on the dancefloor? Once you determine the style of photography you want, you'll find that you can narrow your choices in photographers down significantly. You'll also find that many photographers are able and willing to tweak their style based on what you want.

2. One or Two Photographers?

Many brides and grooms are making the decision to hire two photographers to shoot the wedding. This is a great way to get two perspectives during the ceremony, with one photographer up close and personal, while the other is at a distance. It also allows you to have the best of both worlds: one photographer can focus on shooting candid shots, while the other is busy posing the wedding party. Take care when booking a second photographer, however, as many photographers have clauses in their contracts that prohibit other photographers working the same events as them.

3. What are the Package Details?

You already know what your photographer is going to provide (your wedding pictures), but how is he / she going to provide it? Will they give you a CD of all of your images (in hi-res so you can print your own with a copyright release), prints, canvases, or full wedding albums? Be sure to get all of the details about your potential photographer's package options.

4. What's Your Theme?

Does your wedding have a theme? Some brides and grooms envision rustic or vintage themes, and really let their creativity flow. The end result are unique, memorable wedding photos that they can cherish forever. Before you even begin shopping for a photographer, try to envision exactly how you want your wedding to look (chances are you already have!). It can not be stressed enough that your wedding is your time to shine, so make it all about you and what you want!

Photography Careers – Ways To Earn A Living With Photography

When we were young, we were captivated by seeing pictures. The excitement and joy seeing your favorite idol or super-hero documented filled you with enjoyment. As we get older we start to shy away from being in front of cameras, but being on the other side of the camera, the one taking the shots that's…

When we were young, we were captivated by seeing pictures. The excitement and joy seeing your favorite idol or super-hero documented filled you with enjoyment. As we get older we start to shy away from being in front of cameras, but being on the other side of the camera, the one taking the shots that's a different story. If you find that you're a great photographer and you have fun doing it at the same time, maybe a career in this field is right for you. There are plenty of demands for photographers, especially experienced professionals.

The money in photography careers are some of the best. Those entire magazine covers you see on the stand will pay a photographer big bucks off of just one photo. Here is a list of the top 5 careers for photography.

Advertising: One of the top paying jobs in the field of photography is advertising. It's estimated the salary for newspapers and other print media photographers is around $ 50,000 +. The dream job of many aspiring photographers is to work for National Geographic, but there are many other companies that will pay top dollar for your images.

Medicine: Another photography career is linked to medicine. Medical photographers use their skills to create pamphlets, textbooks, instructional resources and other matters on the subject of medical processes and research. It's estimated their salary is around $ 45,000, pretty great if you ask me.

Freelance: Probably the first job that students start out doing is that of freelance photography. This category of photography covers weddings, school pictures, family portraits, or digitally manipulating images for businesses. This is a career where entrepreneurial and networking skills are essential, building a sturdy portfolio while still continuing your day to day work. An estimated salary for a freelance photographer is $ 40,000, so it's well worth your effort and your free time.

Scientific: With an estimated annual salary of $ 39,000 +, scientific photographers are needed in every scientific field whether it is astronomy, biology, geology or any of the other fields of study. In this career it is useful and often necessary to have detailed knowledge of the subject matter as you will most likely be working with a team of researchers or scientists.

Celebrity and Sports: Whether it is fashion photography, paparazzi work on the streets of New York, Hollywood, or work at sports events, there is plenty of demand for photographers in the world of fame.
Above were named just a few of the more popular ways you can approach this career in photography, there is still so many other possibilities out there.

Collecting Autograph Photos

Whenever you see a celebrity in public you're bound to see them signing autographs for adoring fans. This is part and parcel of being in the public eye. People love to get their picture or other piece of memorabilia signed by their favorite star. Of course there are people who collect autograph photos of celebrities…

Whenever you see a celebrity in public you're bound to see them signing autographs for adoring fans. This is part and parcel of being in the public eye. People love to get their picture or other piece of memorabilia signed by their favorite star. Of course there are people who collect autograph photos of celebrities as a hobby. If you're interested in doing this then you should find some of the tips in this article of great use. Building a collection of signed photos of your favorite stars can be a very rewarding hobby.

Getting Autograph Photos Yourself

Whilst buying signed memorabilia online can be a very quick and convenient way of building your collection, nothing beats getting the autograph yourself from the celebrity in person. The best way to get autographs from your favorite celebrities is to look out for public signings and premiers. Of course whereabouts in the country you live will make a big difference to how many chances you get to attend such events. If you live in central London then you're in a much better position to get autographs than someone who lives in the countryside. However it's possible for anyone to get the autographs that they want, some will just have to put in more effort and travel more.

Buying Autograph Photos Online

The alternative to getting signed celebrity photos yourself is to buy them online. There is an obvious plus point to doing this is convenience. However, unlike getting the autograph yourself, you will have to pay for them and depending upon which celebrity it is it could be quite pricey. When buying online there's also the issue of authenticity. Knowing whether or not the signed photo you're being genuine is vital. Luckily there are some key ways to limit the chances of being a counterfeit photo.

Firstly you should check if the signed photo you're buying comes with a certificate of authenticity. Genuine suppliers of celebrity autographs will provide all the proof they can to insure you that the autograph is indeed genuine. This includes things like photographic evidence of the celebrity signing the picture and details of where the signing took place. Another thing to look out for is whether or not the supplier of the signed photos has their full contact details made available. Genuine sellers will not be afraid to include full contact details including their business address and phone number.